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“Circular
has a starting point: the respect for many musical forms and traditions
which in most cases involved situations of introspection and
reflection. Since ancient times music has accompanied (or was generated
by) a large variety of vital events. Whether during festivities, forms
of worship, concerts or as an expression of intellectual exercise,
music is (almost) always present.
We also shared another
impression. Many times, when listening to different pieces – above all
with academic avantgarde music - we both felt that there were sonorous
colors and gestures that occurred too rapidly. In the urge to respect
the formal logic of the compositions or the more established musical
languages, moments of great richness were lost (especially in terms of
timber) which vanished in the blink of an eye before they could blossom. There
exists a broad array of musics ranging from very old ones to
contemporary ones that share a trait that is very different from that
immediacy we have mentioned. The first forms of polyphony in the Middle
Ages, the harmonic flow of the Renaissance madrigals, the music of Erik
Satie, John Cage and his thoughts on silence, and, of course, the
minimalists. Circular
is also a project including interdisciplinary work between music and
visual arts. Circular works with the concept of "soundpaintings",
thinking in sounds not as simple commentary on images. Paintings and
sounds are related and composed in the same process like a dialogue
between different languages trying to reach a new and common ground.
The paintings are gradually vanishing images and this visual focus
displacement gives space to silence and pure color. Many
contemporary art has rejected spiritual resources but some artists and
critics from last decades has claimed for the necessity to speak again
about this ancient concern of man. Circular respects different
spiritual and religious traditions and takes concepts from these
sources in order to create a dialogue between the ancient and new,
figurative and abstract, offering an environment open to contemplation.”
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